Magic shows & close-up acts
Assess theatre, table magic, family entertainment and mentalism using the actual show arrangements.
Are you inviting a foreign magician, illusionist, mentalist or stage-magic performer to Japan? Whether the engagement is a theatre show, hotel gala, corporate party or festival, the immigration route depends on the real performance, Japanese organizer, venue, contract and remuneration. We help international performers and Japanese producers prepare appropriate Entertainer residence-status and Certificate of Eligibility (COE) application documents.
Assess theatre, table magic, family entertainment and mentalism using the actual show arrangements.
Review banquet-room conditions, paid catering, event sponsors and performer agreements.
Separate onstage co-performers from backstage riggers, technicians and production managers.
Kawagoe Masanobu Administrative Scrivener Office · Sagae, Yamagata · Enquiries throughout Japan and from overseas · Telephone 9:00–18:00 JST · Guide checked October 28, 2026
Japan's Entertainer status can cover qualifying theatrical and variety-show performances, including professional stage magic. A magician appearing on stage before an audience may fall within the entertainment/variety-performance rules. However, there is no separate “Magician Visa”: the proper permission depends on the activities actually performed in Japan and the specific legal criteria.
A headlining magic act, an assistant taking part in illusions, a corporate product demonstration and a technician installing props can involve different immigration questions. The contract, payments and schedule must accurately reflect the work.
| Example engagement | Key points for immigration review |
|---|---|
| Theatre stage magician | Public show dates, production agreement, venue and professional performance record. |
| Grand illusion / escape act | Onstage performers, illusion assistants, rehearsals, equipment and venue arrangements. |
| Close-up / table magician | Where the performance happens, who the guests are, restaurant/hotel operations and payment. |
| Hotel dinner-show magician | Whether paid food or drink is served in the audience area, guest treatment, seating and organizer. |
| Corporate gala entertainment | Company or event agency contract, actual entertainment versus sales promotion, venue and fee. |
| Festival or municipal event | Real sponsoring body, public-event structure and any special event criteria. |
| Trade-show product demonstrator | Determine whether the work is principally an artistic show or business/product promotion. |
| Magic workshop or training session | Paid teaching is not automatically the same as a staged entertainment performance. |
The Immigration Services Agency provides different documentation routes for qualifying performances in theatre, variety entertainment, music and dance. For a magic act, the specific Criteria 1(i), 1(ii) or 1(iii) route must be determined from the current regulations and the real facts—not merely the artist's profession.
| Possible route | Practical point to investigate |
|---|---|
| Criteria 1(i) | Performance under a contract with a Japanese public/private organization at facilities outside the specified regulated entertainment-business categories. The inviter's applicable category and required documentary evidence must be checked. |
| Criteria 1(ii) | Certain officially sponsored or school performances, qualifying cultural events, particular audience facilities, or the specifically defined high-remuneration short-stay route. |
| Criteria 1(iii) | Shows not falling under 1(i) or 1(ii); can require detailed documents about the contracting organization, its personnel/track record and the performance venue/operator. |
| Other Entertainer routes | Commercial promotion, broadcasting, film production or other entertainment functions may need separate assessment. |
Hotels and banquet venues are common places for magic shows, but their actual use on the performance day matters. A theatre-style ticketed magic show, a dinner show with table service and a private corporate reception are not necessarily examined in the same way.
For large illusions, an assistant may perform visibly as a named participant in the act. Other members of the company may operate sound, lighting, traps, props or rigging entirely backstage. Their permission must match their actual duties and compensation, even if everyone travels with the same magician.
| Team member | How to describe the role |
|---|---|
| Principal magician / illusionist | Actual staged performance, artistic career, rehearsal and show schedule. |
| Onstage magic assistant | Named, active participation in illusions or stage entertainment; specific performer evidence. |
| Dance / acting co-performer | Actual performance alongside the illusionist, contract, experience and pay. |
| Backstage prop technician | Technical work separate from performing; do not automatically label it Entertainer. |
| Lighting / sound / rigging personnel | Real technical duties and possible alternative immigration arrangements. |
| Tour manager / event producer | Management and logistics roles are not automatically qualifying artistic performances. |
| Instructor at a magic workshop | Teaching and training may require separate status analysis. |
| Contract item | Important details |
|---|---|
| Full legal parties | Foreign magician or agency, Japanese inviting company, event promoter and venue operator. |
| Performance description | Stage illusion, close-up magic, mentalism, children’s event or corporate entertainment; real planned duties. |
| Dates and rehearsals | Arrival, equipment checks, rehearsal, actual show, additional event appearances and departure. |
| Location and event | Each venue's address and the entity operating the performance space. |
| Compensation | Amount, currency, payer, payment schedule and payment method; artist versus agency fee. |
| Expenses and deductions | Travel, lodging, rental equipment, agent commissions and the basis of agreed deductions. |
| Additional filming or promotion | Any product endorsement, recorded commercial, paid workshop or unrelated paid activity. |
| Assistants and crew | Individual names, real performer/technical roles and any separate payments. |
Prepare authentic, relevant evidence of the performer’s career. A long professional record, performance programmes, dated announcements and credible showreels can help explain the nature of the work. Their importance varies by Entertainer criterion; a particular number of years of experience is not a universal rule for every magician under every category.
The exact list changes under Criteria 1(i), 1(ii), 1(iii) or another route. The items below are common areas to verify—not a substitute for the currently prescribed category-specific checklist.
| Who provides it | Typical records to review |
|---|---|
| Foreign performer | Appropriate COE form and photo, identity details, genuine artistic résumé and relevant professional-performance materials. |
| Japanese organizer / contractor | Company registry, latest financial statements, business profile and any staffing or prior-payment evidence required by the selected criterion. |
| Contracting parties | Signed magic-show agreement, role, remuneration, period and any agency/venue agreement. |
| Venue / hotel / theatre | Business permissions, seating/floor plan, venue photos and operating-entity records where required. |
| Show production | Performance and rehearsal schedule, posters, event announcements, planned venues, cast and crew breakdown. |
| Japanese translations | Accurate translations of foreign-language contracts and supporting evidence as required by the Immigration Services Agency. |
List each magician, actual onstage assistant and technical/management staff member separately.
Confirm organizer, room configuration, audience, food/drink service, operating business and performance dates.
Review Criteria 1(i), 1(ii), 1(iii) or other activities under the current immigration rules.
Document performance work, fees, other engagements, payment responsibility and genuine rehearsal schedule.
Compile category-specific forms, performer records, company and venue documentation, and translations.
File through a permitted applicant or representative with the competent Immigration Services Agency office.
After COE issuance, follow the Japanese embassy or consulate procedure as applicable; issuance and entry are separate decisions.
Check the permitted activities and stay period before new venues, extra paid workshops or advertising work are added.
Send the magic-show description, hotel or theatre name, organizer, planned dates and payment arrangement. We can assess the immigration documents and provide a case-specific quotation.
Ask About the Invitation and COEA tour can involve different venue operators and contracts. Prepare a unified schedule while checking each event's circumstances.
Magic used to demonstrate or promote a product may involve a different entertainment category from an ordinary stage show.
Short duration does not automatically make a paid show permissible under Temporary Visitor or guarantee the 30-day Entertainer period.
| Service | Starting fee (incl. tax) | Scope |
|---|---|---|
| Entertainer COE application | From ¥110,000 | Overseas magician invitations, subject to category and evidence review. |
| Change of status to Entertainer | From ¥110,000 | Where an in-Japan change of residence status is legally available. |
| Ordinary Entertainer extension | From ¥44,000 | Simple continuing arrangements; changes and complex records separately quoted. |
| Multiple performers or venues | Individual quotation | Depends on number of applicants, event contracts, locations and translations. |
Amounts are administrative scrivener professional fees including Japanese consumption tax. The COE filing itself ordinarily has no Japanese immigration application fee. Where relevant, status-change/extension government charges, translations, document procurement, postage, travel and other expenses are separate. We quote the scope before accepting paid work. No approval date or outcome can be guaranteed.
Potentially. A qualifying paid magic show or variety performance can be within Entertainer, subject to the actual contract, event, venue and applicable screening criteria.
No. The appropriate status is determined from the actual activities; certain magic performances may qualify under Entertainer.
They may both present live entertainment, but show content, contracting parties and venue determine the correct route for each case.
Possibly. Check the specific room, event organizer, service of food/drink, guest arrangements and applicable Entertainer criterion.
That activity needs particular care because the venue's actual business operations, audience arrangements and any customer hospitality may affect the legal route. Do not automatically apply theatre-show rules.
No automatic exemption exists because the audience is invited rather than ticket-paying. The real performance and compensation must be assessed.
The payer's country does not by itself determine whether the artist may perform in Japan. Disclose the actual contract, place of work and fees.
Do not assume so. Short duration alone is not a basis for treating remunerated entertainment as permitted visitor activity.
No. That amount is part of one specific Criteria 1(ii) route involving a 30-day-or-shorter stay, not a general minimum remuneration for all Entertainer applicants.
No. The relevant venue route also addresses paid food/drink in audience seating, customer treatment and the venue operator. All criteria must be checked.
Identify the parties, performers, acts, venue, dates, rehearsals, compensation, actual payer and agreed deductions.
Potentially, if the person genuinely performs in the show and satisfies the applicable legal requirements. A backstage worker should not be mislabeled a stage performer.
No. Technical support, management and public performance can require different legal analysis. List each person's real tasks.
Paid teaching may require separate consideration from stage performance. Explain the teaching contract and scope before adding the activity.
Commercial promotion may fall under a different Entertainer activity category from ordinary variety-show performance. The purpose of the engagement is important.
Potentially. Provide the venues, dates, organizer/contract relationships and actual show plan; check whether any additional activity affects the application.
Document the authentic professional career. The precise importance and requirement depend on the applicable Entertainer category; do not assume one universal minimum applies to every act.
Each foreign national's activity and immigration qualification must be assessed. Family relationship alone does not replace individual eligibility.
Safety, fire and venue approvals may be necessary separately. They are not substitutes for immigration permission and can require other specialist advice.
A Certificate of Eligibility supports the normal overseas long-term entry process. The consular visa and permission to land are distinct decisions.
It varies by application and immigration screening. No fixed completion date can be promised; prepare well before the event.
The Immigration Services Agency lists 30 days, 3 months, 6 months, 1 year and 3 years; the authority decides the period actually granted.
Entertainer COE or status-change applications start at ¥110,000 including tax. Ordinary extensions without major changes start at ¥44,000. Expenses and complex troupe cases are separate.
Yes. We review Japan-side sponsor and contract arrangements, appropriate immigration documentation and the scope of authorized application assistance.
For an initial review, please tell us the nationality and number of performers, type of act, the date of entry and show, the Japanese organizer and every venue, who will pay the fee, and whether assistants or technical crew are traveling. A draft performance agreement and show schedule are useful if already available.
Our office in Sagae, Yamagata Prefecture, assists foreign performers and Japanese sponsors with immigration documents and authorized filing services. We accept enquiries from throughout Japan and overseas, and confirm filing jurisdiction, evidence and the available service scope for each case.
These official Immigration Services Agency pages explain the available Entertainer categories and their particular COE, change and renewal requirements. Use the category that applies to the actual engagement and confirm the latest published checklist before filing.
Share the type of magic show, performer nationalities, hotel or theatre, dates, event sponsor, fee and any accompanying assistants. We can identify the points requiring immigration review and quote appropriate application support.
Entertainer COE support from ¥110,000 incl. tax · Nationwide and overseas enquiries · No approval guarantee